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Art Rock

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Art rock is a subgenre of rock music that originated in the 1960s with influences from art (avant-garde and classical) music.[2] The first usage of the term, according to Merriam-Webster Online Dictionary, was in 1968.[2] Art rock was a form of music which wanted to "extend the limits of rock & roll", and opted for a more experimental and conceptual outlook on music.[1] Art rock took influences from several genres, notably classical music, yet also jazz in later compositions.[3]

Due to its classical influences and experimental nature, art rock has often been used synonymously with progressive rock;[1][4] nevertheless, there are differences between the genres, with progressive putting a greater emphasis on symphony and melody, whilst the former tends to focus on avant-garde and "novel sonic structure".[4] Art rock, as a term, can also be used to refer to either classically driven rock, or a progressive rock-folk fusion,[1] making it an eclectic genre. Common characteristics of art rock include album-oriented music divided into compositions rather than songs, with usually complicated and long instrumental sections, symphonic orchestration,[1] and an experimental style. Art rock music was traditionally used within the context ofconcept records,[1] and its lyrical themes tended to be "imaginative",[1] philosophical,[5] and politically oriented.[1]

Whilst art rock developed towards the end of the 1960s, it enjoyed its greatest level of popularity in the early 1970s through groups such as Jethro TullElectric Light Orchestra10ccthe Moody BluesEmerson, Lake and Palmer and Procol Harum.[1] Several other more experimental-based rock singers and bands of the time were also regarded as art rock artists.[1] Art rock's success continued to the 1990s. Several pop and rock exponents of the period, including Peter Gabriel and Kate Bush, incorporated elements of art rock within their work.[1] Art rock, as well as the theatrical nature of performances associated with the genre, was able to appeal to "artistically inclined" adolescents and younger adults,[1] especially due to its "virtuosity" and musical "complexity".[1]

ContentsEdit

 [hide*1 Relationship with progressive and experimental rock

Relationship with progressive and experimental rock[edit]Edit

The concept of art rock has also sometimes been used to refer to the progressive rock bands which became popular in the 1970s. Allmusic states that "Progressive rock and art rock are two almost interchangeable terms describing a mostly British attempt to elevate rock music to new levels of artistic credibility."[4] Additionally, art rock shared much in common withexperimental rock, especially with regard to experimental themes, while the latter has been described by Allmusic as "more challenging, noisy and unconventional", and also less classically influenced than the former, with more of an emphasis on avant-garde music.[3]

Larry Starr and Christopher Waterman's American Popular Music defines it as a "Form of rock music that blended elements of rock and European classical music. It included bands such as King CrimsonEmerson, Lake & Palmer; andPink Floyd."[6] Bruce Eder's essay The Early History of Art-Rock/Prog Rock states that "'progressive rock,' also sometimes known as 'art rock,' or 'classical rock'" is music in which the "bands [are] playing suites, not songs; borrowing riffs from Bach, Beethoven, and Wagner instead of Chuck Berry and Bo Diddley; and using language closer to William Blake or T. S. Eliot than to Carl Perkins or Willie Dixon."[7]

[1][2]David Bowie performing in 1978

The Guide to the Progressive Rock Genres lists "art rock" under the subheading "Forms Tangential and Peripheral to Symphonic Rock/Progressive Rock." The guide states that "art rock" is "another term often used interchangeably with progressive rock, [which] implies rock with an exploratory tendency." The guide also gives another definition of "art rock", which "describes music of a more mainstream compositional nature, tending to experimentation within this framework", such as "Early" Roxy MusicDavid BowieBrian Eno's 70s rock music, and Be-Bop Deluxe.[8]

Connolly and Company argue that the "creation of the 'art rock' sub-genre, whose members were identified by music played with artistic ideals (e.g., Roxy Music10cc)... was in many ways a response to prog rock's long-winded concepts, an attempt to condense progressive rock's ideas into shorter, self-standing songs." He argues that "Art rock's lifespan was brief, generally contained to the '70s."[9]

Art rock may be considered "arty" through incorporating some elements of classical "art" music or literature, or simply through eclecticism. Examples of the former include Pink FloydFrank Zappa and theMothers of InventionThe Moody BluesThe Who,[10][11] The NiceEmerson, Lake & PalmerDavid BowieThe Velvet UndergroundLou ReedKate BushThe VerveThe Beach BoysThe BeatlesPeter Gabriel, and Love (Forever Changes) and examples of the latter include Peter HammillRoxy MusicGenesis, and early Queen.[12]

History[edit]Edit

1960s–1970s[edit]Edit

Allmusic states that the first wave of art rock musicians were inspired by The Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band and believed that for rock music to grow artistically, they should incorporate elements of European and classical music to the genre.[3] Music critic George Graham argues that "... the so-called Art Rock scene arose" in the 1960s, "when many artists were attempting to broaden the boundaries of rock." He claims that art rock "was inspired by the classically-influenced arrangements and the elaborate production of The Beatles Sgt. Peppers (1967) period" and states that the "style had its heyday in the 1970s with huge commercial success by Yes, and Emerson, Lake & Palmer, and later Genesis." Along with Sgt. Peppers, The Beach Boys concept album Pet Sounds (1966) has also been stated as pioneering the genre with its artistic ambitions.[13][14][15]

However, Graham notes that art rock "quickly faded when punk rock and then so-called alternative rock arose at the end of that decade, exactly as a reaction to the sophistication, and in many cases, pretense of big, elaborate rock productions, be they art rock or slickly-produced pop singers." Graham claims that since the late 1970s, "art rock has remained at the fringes and become one of many venerable styles...that attracts small numbers of avid fans, and continues to be perpetuated by a combination of some of the original artists and new generations of players."[16]

[3][4]Guitarist John Cipollinafrom Quicksilver Messenger Service

In the UK in 1966, the Scottish band 1-2-3, later renamed Clouds, began experimenting with song structures, improvisation, and multi-layered arrangements which led directly to later bands like YesKing Crimson, and The Nice.[17]

In the US, a number of late-1960s bands experimented with "long compositions", with each band "trying to out-psychedelic the other" with unusual sonic experiments. "The Golden Age of Art Rock" lectures state that the "piece that caused the explosion of Art Rock more than any other, starting in 1968" was Iron Butterfly's "In-A-Gadda-Da-Vida". In response, many other bands sought to emulate this art rock style, such as "Jefferson AirplaneThe Steve Miller BandThe Grateful DeadQuicksilver Messenger ServiceH.P. Lovecraft and It's A Beautiful Day." The Steve Miller Band "had quite a lot of Art Rock in the early albums." The lecture argues that the "two main long pieces" by The Doors ("The End" and "When The Music's Over") are "good examples of Art Rock."[5]

However, in the 1970s, US rock music "moved away from Art Rock", as southern rock bands became popular. Art rock reached its commercial height with the popularity of the aforementioned progressive rock bands, such as King Crimson, YesRushGenesis, and Pink Floyd. After punk rock put DIY simplicity back in style, and as openly progressive bands drifted toward the mainstream with hit singles and more commercial productions, their art rock designation fell away. Brian Eno has been called the "experimental end of the [art rock] spectrum" for his early 1970s recordings.[5] Bands such as 10ccalso reached commercial success with their own brand of art rock.

Band such as Wire pioneered art punk on their 1977 debut Pink Flag, whilst post-punk went underway in 1978 with bands such as Public Image Ltd who incorporated noise rock and dub to the punk sound onto albums First Issue and Metal Box. In New York, an underground scene, no wave, went underway around 1978 which incorporated the punk sound into styles such as funk, jazz, blues, avant-garde, and experimental. Brian Eno's compilation No New York was released in 1978 and is often considered a good document on the scene.

1980s–1990s[edit]Edit

Kate Bush and Laurie Anderson were described as art rockers as well as described and marketed as other genres in the United States during this period.[5][18][19][20]

2000s–2010s[edit]Edit

In 2000s, British rock group members Radiohead abandoned their traditional alternative rock sound to release experimental material fused with electronic music, classical music and many more. Their latest album that polarised both critics and fans was Kid A. Due to Tool's incorporation of visual arts and very long and complex releases, the band is generally described as a style-transcending act and part of progressive rockpsychedelic rock and art rock.

In 2004, the phrase "art rock" was used by British writers from music publications such as NME to describe a group of new, mostly "indie" bands influenced by the 1970s/1980s work of artists including David BowieDavid ByrneTom VerlainePeter GabrielKate Bush, and Brian Eno. While other art rock bands such as Deerhoof[21] generally eschew self-conscious descriptions as "art rock", there is also a continuing subcultural movement of underground, sometimes highly uncommercial music with original roots in punk rockpost-punk or the radical avant-garde whose style or philosophy would fall under common definitions of "art rock". Some of these bands may also be described as experimental rock, while the even more abrasive and abstract acts such as Wolf Eyes and Merzbow may be described as noise music.

Art pop[edit]Edit

Art pop, a related genre inspired by pop art, was developed as pop musicians drew inspiration from their 1950s and 1960s art school studies, including John LennonBryan FerrySyd Barrett, and Brian Eno.[22] The loosely defined term includes music by Talking HeadsPeter GabrielLaurie AndersonBeckPavement, and Duncan Sheik. Art pop often refers to any pop style whose artist deliberately aspires to the conventions of classical music and poetry. According to Stephen Holden, many sources date the art pop's origin to the mid 1960s when producers such as Phil Spector and Brian Wilson of the Beach Boys incorporated pseudo-symphonic textures to their pop recordings, and the Beatles first recorded with a string quartet. In North America, art pop was influenced more by Bob Dylan and the Beat Generation, and became more literary through folk music's singer-songwriter movement.[23]

The collaborative metadata database Rate Your Music defines art pop as "a genre that blends the melodies of pop music with unconventional or experimental elements such as the use of progressive structures, unusual time signatures, abrupt tempo changes, vocal experimentation (like the search of extremely high-pitched tones, elongation of vocals, or the use of vocal techniques like throat singing), a symphonic, orchestral and theatrical performance, or the frequent addition of diverse electronic elements like trip hop or glitch."[24]

British sociomusicologist Simon Frith cited Roxy Music as the "archetypical art pop band".[25] According to Jason Heller of The A.V. Club, Eno was a pioneer of art pop and explored the genre on the experimental solo albums he recorded after having left Roxy Music.

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