Billie Jo Spears (born Billie Jean Spears, January 14, 1937 – December 14, 2011) was an American country music singer. She reached the top-10 of the Country music charts five times between 1969 and 1977, her biggest hit being "Blanket on the Ground", which, in 1975, became her only number one. She also had a large following in the United Kingdom with two of her singles reaching the pop top five.
Early life and rise to fame[edit source | edit]Edit
Spears was born in Beaumont, Texas, United States. She made her professional debut at age 13 at a country music concert in Houston, Texas. She cut her first single, called "Too Old For Toys, Too Young For Boys," while she was still a teenager. It was released by the independent record label, Abbot Records, under the name 'Billie Jean Moore'. She also performed on the Louisiana Hayride at 13. After graduating from high school, she sang in nightclubs and sought a record deal. Spears' early career was orchestrated by the country/rockabilly songwriter,Jack Rhodes. Working out of his makeshift recording studio, Rhodes took it upon himself to provide Spears with material and clout in her early years. Spears moved from Texas to Nashville, Tennessee in 1964. She gained her first recording contract with United Artists Records, and worked with producer Kelso Herston. Her first singles brought her little success. Soon her producer moved over to Capitol Records and Spears followed. She was placed under contractby the label in 1968.
Early success[edit source | edit]Edit
One of Spears' first singles for the label was "Harper Valley PTA" but her single release of the song was beaten off the presses by the version by Jeannie C. Riley. Riley's became a monster crossover hit while Spears' record failed to chart.
Spears' first hit came in 1969, when her Capitol Records release "Mr. Walker It's All Over" reached number 4 on the Country chart. It also reached the Pop charts at No. 80. The song told of a secretary who resigned a job where she was unappreciated for her skills and encountered sexual harassment. She gained four more top 40 country hits during the next two years but by late 1972 was off Capitol and had two years without a charting release.
Comeback and peak years[edit source | edit]Edit
In 1975, Spears signed again with United Artists Records, now the home to some of country music's pop-based acts, like Kenny Rogers. She returned to the charts in 1975 with "Blanket on the Ground". The song had been previously turned down by Nashville producers who feared controversy with the chorus line "slipping around", even though the tune was not about adultery. The expected controversy never materialized, and it became her only number-one song.
In the United Kingdom the song climbed into the top ten of the UK Singles Chart in August 1975, reaching No. 6. Her 1976 country top five record "What I've Got in Mind" proved to be a second major British pop hit for her peaking at No. 4 even though it did not cross over to the American pop charts. Spears had a third British pop hit, albeit a lesser one peaking at No. 34 with "Sing Me an Old Fashioned Song", a track that was just an album cut in the States.
Billie Jo Spears was a steady presence on the American top 20 country charts for the remainder of the 1970s with such hits as "Misty Blue" (a remake of the 1960s Wilma Burgess classic), "'57 Chevrolet," "Love Ain't Gonna Wait For Us," "If You Want Me," and others. 1981's cover version of Tammy Wynette's 1960s hit, "Your Good Girl's Gonna Go Bad," was Spears' last voyage into America's country top 20.
Later career and life[edit source | edit]Edit
Spears continued releasing albums in the United States into the 1980s. By the mid 1980s, her overall success in the United States had tapered off. However, she retained a following in the UK, and remained a popular live performer there. Spears recorded a number of albums for the British market that had limited or even no release in the US. This level of fame in the UK was summed up by the magazine, Country Music People, during the 1990s when their article described Spears as "The Queen Mother of country music."
In 1990, Broadland Records produced an ill fated experimental album where 'wannabe performers' could, for a fee, record the second part of the duet. She told BBC Radio Merseyside personality, Spencer Leigh, in 1994, "The album never got finished and I don't know what happened to the money. It's pathetic and I'm very disappointed."