Fandom

Music Wiki

Walk on the Wild Side (Lou Reed song)

17,439pages on
this wiki
Add New Page
Comments0 Share

Ad blocker interference detected!


Wikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers

Wikia is not accessible if you’ve made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected.

"Walk on the Wild Side" is a Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexualitydrugsmale prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex.

The lyrics, describing a series of individuals and their journeys to New York City, refer to several of the regular "superstars" at Andy Warhol's New York studio, The Factory, namely Holly WoodlawnCandy DarlingJoe DallesandroJackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed's earlier song for The Velvet Underground, "Candy Says".

ContentsEdit

 [hide*1 Musicians

Musicians[edit]Edit

The saxophone solo played over the fadeout of the song is performed by Ronnie Ross, who had taught David Bowie to play the saxophone during Bowie's childhood.

The backing vocals are sung by Thunderthighs, a girl group that included founder Dari Lallou together with Karen Friedman, Jacki Campbell and Casey Synge.

The upright bass and bass guitar are both played by Herbie Flowers.

The single peaked at #16 on the Billboard Hot 100 singles charts in early 1973.[1] After the announcement of Reed's death in October 2013, both the song and theTransformer album re-charted via iTunes.[2]

Musical elements[edit]Edit

Like many of Reed's songs, "Walk On The Wild Side" is based on a plagal cadence, alternating from C to F. The F is played as a sixth chord. The pre-chorus introduces the major second, D Major, although in some live performances this was changed to D minor, resulting in a completely diatonic song.[3]

The song is also noted for its twin interlocking bass lines played by Herbie Flowers on double bass and overdubbed fretless bass guitar. In an interview on BBC Radio 4(Playing Second Fiddle, aired July 2005), Flowers claimed that the reason he came up with the twin bass line was that as a session musician he would be paid double for playing two instruments on the same track.

Inspiration[edit]Edit

In the 2001 documentary Classic Albums: Lou Reed: Transformer, Reed says that it was Nelson Algren's 1956 novel, A Walk on the Wild Side, that was the launching point for the song, even though, as it grew, the song became inhabited by characters from his own life. As with several other Reed songs from the 1970s, the title may also be an allusion to an earlier song, in this case Mack David and Elmer Bernstein's song of the same name, the Academy Award-nominated title song of the 1962 film based on Algren's novel.[citation needed] During his performance of the song on his 1978 Live: Take No Prisoners album, Reed humorously explains the song's development from a request that he wrote the music for the never completed musical version of Algren's novel.

Covers and references[edit]Edit

[1][2]Underground cabaret performers from Stockholm do Walk on the Wild Side on tour in New York in 2011.*In February 1990, two club/hip hop versions charted simultaneously in the UK - Jamie J. Morgan's cover produced by Richard Mazda reached #27, whilst Beat System got to #63.[4]

Also on Fandom

Random Wiki